Presented by the Berndt Museum, WARMUN THEN AND NOW features artwork by renowned Indigenous artists whose homelands lie in Gija country, located in the Kimberley region of north-east WA.
This exhibition presents a distinctive series of paintings by 1980s artists such as Queenie McKenzie, Rover Thomas and Paddy Jaminji, alongside more recent work by Mabel Juli, Lena Nyadbi, Betty Carrington, and others. The exhibition design complements the artwork by taking Perth audiences into a replica of a remote-area Aboriginal Art Centre and Gallery as a contextual backdrop.
Image: Lena Nyadbi, Gija Language Group, Warmun Community, Jimbarla Country (detail), c 2012, etching on paper, 50 x 60cm. Berndt Museum, The University of Western Australia, © the artist.
Attend the launch of WARMUN THEN AND NOW at 3pm then enjoy afternoon tea and stay to listen to Professor Sandy Toussaint of the Berndt Museum in discussion with representatives of the Warmun Art Centre. The exhibition includes prized works from renowned Gija artists dating from the 1980s through to works completed recently. Hear how this intensive collaborative process between the community and the museum has brought together a display of works that illuminate the richness and depths of the cultural life of the artists and their families.
Image: Sandy Toussaint, Associate Director, Berndt Museum
German artist Elise Blumann arrived in Perth in the summer of 1938. She was immediately struck by the local landscape and the piercing brightness of the Australian light. Her painting in the subsequent decade focused on an analysis of various plant forms surrounding her home in Nedlands, and the settings of the Swan River and the Indian Ocean, which feature prominently in her work. While including some early works produced in Europe, this exhibition focuses on paintings from the artist’s first decade in Australia; the series of bold portraits produced in the late 1930s to the increasingly abstract renderings of the landscape of the late 1940s.
Image: Elise Blumann, On the Swan, Nedlands, 1942, oil on composition board, 56.6 x 66.4 cm, The University of Western Australia Art Collection, Acquired with the assistance of the Visual Arts Board of the Australia Council and the Dr Albert Gild Fund, 1976. Photo: Bo Wong
OBJECT LESSONS II: Curtain Situations is the second in a three-part exhibition series at Lawrence Wilson Art Gallery in 2015 showcasing contemporary art from the Cruthers Collection of Women’s Art. OBJECT LESSONS II: Curtain Situations refers to a recent acquisition for the collection from leading contemporary artist Agatha Gothe-Snape, a diptych titled Expression Curtain/Certain Situations, which juxtaposes found fabric with a text that transforms the fabric from an object into a ‘situation’.
Using this juxtaposition between two and three dimensions as an exhibition framework, OBJECT LESSONS II: Curtain Situations includes sculptural objects alongside paintings and prints that examine the continuing mysteries of representation and perception.
Image: Elizabeth Pulie, Wood & Stone (detail), 1997, wood & stone beads, wire, metal rod, 80 x 200cm. Collection of Elaine Baker and John Cruthers. © Courtesy the artist
Image: Elise Blumann, Surge, 1943–44, oil on paper on board, 86.0 x 55.5 cm. Private collection. Photo: Bo Wong
There are many works in the UWA Art Collection and the Cruthers Collection of Women's Art that reference themes of war, service and the ANZAC story. As part of the Lawrence Wilson Art Gallery's ongoing MY COLLECTION project, throughout 2015 three esteemed members of the University community have been invited to write about a selected work that for them evokes the ANZAC spirit.
During the month of August, as part of the Australians and War program, the featured work is George Coates, Disabled Soldier. The commentary for this work has been written by Professor Kim Beazley, Australia's Ambassador to the United States and former Minister for Defence.
Image: George Coates, Disabled Soldier (detail), c 1918, brush and ink on paper on card, 31.5 x 30.0 cm, The University of Western Australia Art Collection, Gift of Mrs M W Moody in memory of Thomas and Henry Ingram Moody, 1949.
The Lawrence Wilson Art Gallery has commissioned four artists to produce video work on the broad theme of the centenary of Gallipoli and ANZAC. The works will be shown on the 24SEVEN screen at the Lawrence Wilson Art Gallery during 2015.
The first stage of the project concentrates on close consultation with the commissioned artists on their respective subject. The featured artists during August for the WINTERarts Australians and Way program are Andrew and David Wood.
Image: 24SEVEN featuring Abdul Abdullah’s artwork GOD IS WITH US
Image: Elise Blumann, Surge, 1943–44, oil on paper on board, 86.0 x 55.5 cm. Private collection. Photo: Bo Wong
Join Kate Hamersley, Registrar (UWA Collections), as she discusses the responsibilities of collection and exhibition registration at the Lawrence Wilson Art Gallery.
Drawing the human face is challenging, but it is a wonderful skill for capturing precious moments in life. Whether you have experience or not, come and learn how to draw what you really see. Discover your gifts and where they can take you.
Curator Dr Sally Quin will first guide a tour of the exhibition Elise Blumann: An Émigré Artist in Western Australia, 1938-1948, focusing on the figures and portraits. Then join artist Daniela Dlugocz in two rewarding afternoon workshops in which you will experiment with different materials and shading techniques.
A life model will attend each session of the course. You will discover not just a face on paper but how to capture expression and atmosphere.
The exhibition will feature artefacts used as weapons that contain geological components or derived from minerals or rocks. Of particular note are artefacts from the First World War from the Museum Curator’s personal collection, along with items on loan from other museums, UWA Schools and individuals.
An original sound loop created by Kingsley Reeve (Sound Design and Production, National Institute for Dramatic Art) will compliment the exhibition.
Image: Lt McGlinn, 44th Battalion, later Australian Flying Corp and souvenir embossed World War One British and German 25 pounder shells. Photo: John Reeve (Curator, UWA)
Annette Thas, photographer, filmmaker, mixed media and sculpture/installation artist, has exhibited extensively in Europe and Australia. She studied sculpture at the Ecole des Beaux Arts in Lyon, drawing at the Saint-Lucas School of Arts Ghent, and Fine Arts Photography & Filmmaking at UWA. Her ‘Wave 1’ won the People’s Choice Award at Sculpture by the Sea 2014.
Drawing on images and stories encountered while growing up in the Flanders, Thas’ iconic photographs of period gas masks symbolize the horrors experienced in the alien and deformed landscape of the Western Front in WWI. These banner size images will be hung on venues across campus.
Image: Gas masks. Photographs by Annette Thas.
Her publications include Identity and Image: Refugee Artists from Nazi Germany in Britain (1933-1945) and Overcoming Dictatorships: Contemporary East and West European Visual Inquiries.
Free to attend, registration essential. RSVP required.
Image: Dr. Jutta Vinzent
Join Dr Sally Quin for a curator’s talk and tour of Elise Blumann: An Émigré Artist in Western Australia, 1938-1948 and consider landscape painting afresh.
Watercolour painting is a skill that can be learned. Artist and teacher Debi Riley simplifies watercolour processes with step-by-step instructions and demonstration. You’ll be encouraged, inspired and guided in the basics watercolour techniques. All materials are provided.
Over a two-day workshop on subsequent Saturdays, discover how to create lovely atmospheric skies, mountains, hills, trees and foliage and incorporate them into your own paintings. You’ll learn just how easy it is to mix dozens of colours from only three tubes of paint, and gain techniques to create your own watercolour landscapes.